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Bootlegs fun and a great way to sink your teeth into production and your local scene. From samples from a song or the entire song and is often a very underground “Edit”. These are more common and usually made by DJs who want an alternative version of a song to play at their show. A bootleg remix generally uses the stereo master track and or acapella of the track. Like “bootleg whiskey” in the prohibition times. The remixer didn’t ask the original artist for consent to do it. removing some sections, shrinking or elongating othersĪnd, a bootleg is done without the explicit permission of the artist, & is an unofficial (and often illegal) version of a remix.Common things to do when making a re-edit include:
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Instead, edits are about re-arrangement with the aim of making a record more dancefloor friendly. They can’t replace the bass or put effects on just the vocal as they only have the entire song to play with.
#HOW TO DO REMIX SONG FULL#
VIP Mixes are done by the original artist, it means Variation In Production…Ī re-edit, on the other hand, is made from the finished full recording of a song rather than the individual audio parts. This vastly reduces the creative license available to a producer. The term Flip comes from the A Side B Side of records, with the B Side being the lesser focus of the release, and called the Flipside. An official remix is when the original artist/record label paid you or requested you to make it. From sampled vinyl to modern day stems.Ī remix is when a producer has access to the original recordings from a song, including the separate audio tracks, enabling them to either treat or entirely replace parts in isolation – like the bass line or the percussion.
#HOW TO DO REMIX SONG HOW TO#
Lets clear up the terms before we get into how to remix a song…Ī bootleg, remix, and re-edit are different forms of remixing someone else’s song. By taking popular dance tracks and adding your own spin you can quickly get your sound and vibe out to the world. You can take any track and make your own spin on it. Doing a remix could also be one way you could quickly rise above the crowd and get recognition is through bootlegs and remixes. You have a solid ground to launch off and a good direction to move in. A remix can be easier than starting your own tracks for scratch. Remixes can be a great way to sink your teeth into production. The remix was born from the same necessity: DJs needed and dancers wanted records that were specifically re-tooled for the dance floor. Edits were often simply neater cut and paste versions of what they would do live with two records. DJs began making their own reel-to-reel edits to mimic this process, to create long, danceable grooves. Juggling the break with a simple sole purpose they never wanted to give anyone an excuse to leave the dance floor.
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Hip Hop Dj’s have known the power of the break from the start. (repetitive instrumental sections that came before the loops we know today). From here DJs like David Mancuso or Steve D’Acquisto and the pioneers who followed in the ’80s, Frankie knuckles & Larry Levan, all groundbreaking artists that all sought out longer records with percussive breaks and vamps. It was the Pioneer Francis Grasso, was DJing at the Sanctuary in New York in the early 70s, he had discovered that percussion-heavy records and breaks (everything drops out leaving just the drums) were phenomenally effective on the dance floor. Its as though the songs choose themselves through you, the DJ is one with the crowd, collective energy lays down the vibe and you never leave the dancefloor, and you remember exactly what it felt like when you were there… When this synergy locks in, it’s amazing & everyone knows. The X factor is defined by the vibe & the energy, a culmination of the music, the pace, the lighting & the crowd. That factor that keeps you coming back to how damn good your night was! You remember the tracks played, the people that were there with you. Regardless of the genre, style or taste, every DJ is working towards the X Factor, every single time the play. It was the ’70s, people were wild, the edit was built solely around the energy on the dancefloor, the dancefloor was hungry for it. The phenomenon came about in both Hip Hop & House at the same time… A collective DJ discovery, fueled by the dancefloor. Stemming from DJs always wanting longer records with longer percussive passages. Electronic music’s evolution stems from sampling, remixing and re-editing.